For fans of: Twenty-first century jazz innovations.

Saxophonist Shabaka Hutchings' mining of jazz's cultural memory is informed by his numerous concurrent projects; the ensemble Sons of Kemet, its splinter trio The Comet Is Coming, Melt Yourself Down, Afrofuturist outfit The Ancestors, and as a guest player with the legendary Sun Ra Arkestra. So there is possibly no better player in contemporary jazz more equipped to lead a quartet exploring the fringes of the territory once mapped out by post-bebop, Afrofuturist and spiritual jazz luminaries, Charles Mingus, Pharoah Sanders, and the aforementioned Sun Ra. Nowhere in Hutching's numerous settings is this more evident than in Sons of Kemet's "Your Queen is a Reptile" of 2018. The central quartet of Hutchings, Oren Marshall on tuba, and both Tom Skinner and Seb Rochford on drums, is aided by a rotating cast of contemporary jazz players including Pete Wareham, Eddie Hick, Moses Boyd, Maxwell Hallett, and Nubya Garcia in their ranks. The album was a first for Impulse!, the legendary and influential American jazz label that was home to Charles Mingus, John Coltrane, Pharoah Sanders, Freddie Hubbard, and Bill Evans at the peak of their 1960's output. So these are the largest of shoes to fill. This adds another weighty dimension to Hutchings’ relationship with American jazz, placing him among the players whose legacy he’s endeavoring to subvert, deconstruct, and expound upon.

Covered in "The British Jazz Explosion: Meet the Musicians Rewriting the Rulebook", Hutchings acts as a pivot around which numerous players move through the scene. Further evidence can be heard on the excellent Gilles Peterson-curated "We Out Here" compilation for his Brownswood Recordings label, and here on his newest album for Impulse! As he takes a striking path away from the central core of jazz tradition on Shabaka & The Ancestors second release, "We Are Sent Here By History". Which he enthusiastically explores in his interview for The Guardian, "History Needs to Be Set Alight: Shabaka Hutchings on the Radical Power of Jazz". -(JP)